Wednesday, November 7, 2007

November 6th Session

A physical warm-up.

Some group patting.

Two hours of Caricature work and Improvisation to create a structure for the piece. Bryony is going to try and find some time to write up the story outline that we've created. Some of the names:

Troy and Helena - Chantelle
Hector and Alexeya
Achilles and Electra - Steve
Costa and Mendhy - Ayden
Zeus and Aphrodite -
Cassandra and ???? - Paul

Here are some other Greek names:

Hera
Diana
Artemis
Asia
Calliope
Circe
Clio
Hecate
Hestia
Phoebe
Persephone
Selene
Thalia
Venus

Tuesday, November 6, 2007

Hello

I'm afraid smth has come up yesterday late in the evening and i can't make it today. I'm really sorry. But you all have a great fun. Giedre

Monday, November 5, 2007

Lysistrata


Part 1

Illustrations by Norman Lindsay



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001.png (50K)

LYSISTRATA

The Persons of the drama.

LYSISTRATA
CALONICE
MYRRHINE
LAMPITO
Stratyllis, etc.
Chorus of Women.
MAGISTRATE
CINESIAS
SPARTAN HERALD
ENVOYS
ATHENIANS
Porter, Market Idlers, etc.
Chorus of old Men.

LYSISTRATA stands alone with the Propylaea at her back.

LYSISTRATA

If they were trysting for a Bacchanal,
A feast of Pan or Colias or Genetyllis,
The tambourines would block the rowdy streets,
But now there's not a woman to be seen
Except--ah, yes--this neighbour of mine yonder.

Enter CALONICE.

Good day Calonice.

CALONICE

Good day Lysistrata.
But what has vexed you so? Tell me, child.
What are these black looks for? It doesn't suit you
To knit your eyebrows up glumly like that.

LYSISTRATA

Calonice, it's more than I can bear,
I am hot all over with blushes for our sex.
Men say we're slippery rogues--

CALONICE

And aren't they right?

LYSISTRATA

Yet summoned on the most tremendous business
For deliberation, still they snuggle in bed.

CALONICE

My dear, they'll come. It's hard for women, you know,
To get away. There's so much to do;
Husbands to be patted and put in good tempers:
Servants to be poked out: children washed
Or soothed with lullays or fed with mouthfuls of pap.

LYSISTRATA

But I tell you, here's a far more weighty object.

CALONICE

What is it all about, dear Lysistrata,
That you've called the women hither in a troop?
What kind of an object is it?

LYSISTRATA

A tremendous thing!

CALONICE

And long?

LYSISTRATA

Indeed, it may be very lengthy.

CALONICE

Then why aren't they here?

LYSISTRATA

No man's connected with it;
If that was the case, they'd soon come fluttering along.
No, no. It concerns an object I've felt over
And turned this way and that for sleepless nights.

CALONICE

It must be fine to stand such long attention.

LYSISTRATA

So fine it comes to this--Greece saved by Woman!

CALONICE

By Woman? Wretched thing, I'm sorry for it.

LYSISTRATA

Our country's fate is henceforth in our hands:
To destroy the Peloponnesians root and branch--

CALONICE

What could be nobler!

LYSISTRATA

Wipe out the Boeotians--

CALONICE

Not utterly. Have mercy on the eels!
[Footnote: The Boeotian eels were highly esteemed delicacies in Athens.]

LYSISTRATA

But with regard to Athens, note I'm careful
Not to say any of these nasty things;
Still, thought is free.... But if the women join us
From Peloponnesus and Boeotia, then
Hand in hand we'll rescue Greece.

CALONICE

How could we do
Such a big wise deed? We women who dwell
Quietly adorning ourselves in a back-room
With gowns of lucid gold and gawdy toilets
Of stately silk and dainty little slippers....

LYSISTRATA

These are the very armaments of the rescue.
These crocus-gowns, this outlay of the best myrrh,
Slippers, cosmetics dusting beauty, and robes
With rippling creases of light.

CALONICE

Yes, but how?

LYSISTRATA

No man will lift a lance against another--

CALONICE

I'll run to have my tunic dyed crocus.

LYSISTRATA

Or take a shield--

CALONICE

I'll get a stately gown.

LYSISTRATA

Or unscabbard a sword--

CALONICE

Let me buy a pair of slipper.

LYSISTRATA

Now, tell me, are the women right to lag?

CALONICE

They should have turned birds, they should have grown
wings and flown.

LYSISTRATA

My friend, you'll see that they are true Athenians:
Always too late. Why, there's not a woman
From the shoreward demes arrived, not one from Salamis.

CALONICE

I know for certain they awoke at dawn,
And got their husbands up if not their boat sails.

LYSISTRATA

And I'd have staked my life the Acharnian dames
Would be here first, yet they haven't come either!

CALONICE

Well anyhow there is Theagenes' wife
We can expect--she consulted Hecate.
But look, here are some at last, and more behind them.
See ... where are they from?

CALONICE

From Anagyra they come.

LYSISTRATA

Yes, they generally manage to come first.

Enter MYRRHINE.

MYRRHINE

Are we late, Lysistrata? ... What is that?
Nothing to say?

LYSISTRATA

I've not much to say for you,
Myrrhine, dawdling on so vast an affair.

MYRRHINE

I couldn't find my girdle in the dark.
But if the affair's so wonderfull, tell us, what is it?

LYSISTRATA

No, let us stay a little longer till
The Peloponnesian girls and the girls of Bocotia
Are here to listen.

MYRRHINE

That's the best advice.
Ah, there comes Lampito.

Enter LAMPITO.

LYSISTRATA

Welcome Lampito!
Dear Spartan girl with a delightful face,
Washed with the rosy spring, how fresh you look
In the easy stride of your sleek slenderness,
Why you could strangle a bull!

LAMPITO

I think I could.
It's frae exercise and kicking high behint.

[Footnote: The translator has put the speech of the Spartan characters
in Scotch dialect which is related to English about as was the Spartan
dialect to the speech of Athens. The Spartans, in their character,
anticipated the shrewd, canny, uncouth Scotch highlander of modern
times.]

LYSISTRATA

What lovely breasts to own!

LAMPITO

Oo ... your fingers
Assess them, ye tickler, wi' such tender chucks
I feel as if I were an altar-victim.

LYSISTRATA

Who is this youngster?

LAMPITO

A Boeotian lady.

LYSISTRATA

There never was much undergrowth in Boeotia,
Such a smooth place, and this girl takes after it.

CALONICE

Yes, I never saw a skin so primly kept.

LYSISTRATA

This girl?

LAMPITO

A sonsie open-looking jinker!
She's a Corinthian.

LYSISTRATA

Yes, isn't she
Very open, in some ways particularly.

LAMPITO

But who's garred this Council o' Women to meet here?

LYSISTRATA

I have.

LAMPITO

Propound then what you want o' us.

MYRRHINE

What is the amazing news you have to tell?

LYSISTRATA

I'll tell you, but first answer one small question.

MYRRHINE

As you like.

LYSISTRATA

Are you not sad your children's fathers
Go endlessly off soldiering afar
In this plodding war? I am willing to wager
There's not one here whose husband is at home.

CALONICE

Mine's been in Thrace, keeping an eye on Eucrates
For five months past.

MYRRHINE

And mine left me for Pylos
Seven months ago at least.

LAMPITO

And as for mine
No sooner has he slipped out frae the line
He straps his shield and he's snickt off again.

LYSISTRATA

And not the slightest glitter of a lover!
And since the Milesians betrayed us, I've not seen
The image of a single upright man
To be a marble consolation to us.
Now will you help me, if I find a means
To stamp the war out.

MYRRHINE

By the two Goddesses, Yes!
I will though I've to pawn this very dress
And drink the barter-money the same day.

CALONICE

And I too though I'm split up like a turbot
And half is hackt off as the price of peace.

LAMPITO

And I too! Why, to get a peep at the shy thing
I'd clamber up to the tip-top o' Taygetus.

LYSISTRATA

Then I'll expose my mighty mystery.
O women, if we would compel the men
To bow to Peace, we must refrain--

MYRRHINE

From what?
O tell us!

LYSISTRATA

Will you truly do it then?

MYRRHINE

We will, we will, if we must die for it.

LYSISTRATA

We must refrain from every depth of love....
Why do you turn your backs? Where are you going?
Why do you bite your lips and shake your heads?
Why are your faces blanched? Why do you weep?
Will you or won't you, or what do you mean?

MYRRHINE

No, I won't do it. Let the war proceed.

CALONICE

No, I won't do it. Let the war proceed.

LYSISTRATA

You too, dear turbot, you that said just now
You didn't mind being split right up in the least?

CALONICE

Anything else? O bid me walk in fire
But do not rob us of that darling joy.
What else is like it, dearest Lysistrata?

LYSISTRATA

And you?

MYRRHINE

O please give me the fire instead.

LYSISTRATA

Lewd to the least drop in the tiniest vein,
Our sex is fitly food for Tragic Poets,
Our whole life's but a pile of kisses apd babies.
But, hardy Spartan, if you join with me
All may be righted yet. O help me, help me.

LAMPITO

It's a sair, sair thing to ask of us, by the Twa,
A lass to sleep her lane and never fill
Love's lack except wi' makeshifts.... But let it be.
Peace maun be thought of first.

LYSISTRATA

My friend, my friend!
The only one amid this herd of weaklings.

CALONICE

But if--which heaven forbid--we should refrain
As you would have us, how is Peace induced?

LYSISTRATA

By the two Goddesses, now can't you see
All we have to do is idly sit indoors
With smooth roses powdered on our cheeks,
Our bodies burning naked through the folds
Of shining Amorgos' silk, and meet the men
With our dear Venus-plats plucked trim and neat.
Their stirring love will rise up furiously,
They'll beg our arms to open. That's our time!
We'll disregard their knocking, beat them off--
And they will soon be rabid for a Peace.
I'm sure of it.



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LAMPITO

Just as Menelaus, they say,
Seeing the bosom of his naked Helen
Flang down the sword.

CALONICE

But we'll be tearful fools
If our husbands take us at our word and leave us.

LYSISTRATA

There's only left then, in Pherecrates' phrase,
To flay a skinned dog--flay more our flayed desires.

CALONICE

Bah, proverbs will never warm a celibate.
But what avail will your scheme be if the men
Drag us for all our kicking on to the couch?

LYSISTRATA

Cling to the doorposts.

CALONICE

But if they should force us?

LYSISTRATA

Yield then, but with a sluggish, cold indifference.
There is no joy to them in sullen mating.
Besides we have other ways to madden them;
They cannot stand up long, and they've no delight
Unless we fit their aim with merry succour.

CALONICE

Well if you must have it so, we'll all agree.

LAMPITO

For us I ha' no doubt. We can persuade
Our men to strike a fair an' decent Peace,
But how will ye pitch out the battle-frenzy
O' the Athenian populace?

LYSISTRATA

I promise you
We'll wither up that curse.

LAMPITO

I don't believe it.
Not while they own ane trireme oared an' rigged,
Or a' those stacks an' stacks an' stacks O' siller.

LYSISTRATA

I've thought the whole thing out till there's no flaw.
We shall surprise the Acropolis today:
That is the duty set the older dames.
While we sit here talking, they are to go
And under pretence of sacrificing, seize it.

LAMPITO

Certie, that's fine; all's warking for the best.

LYSISTRATA

Now quickly, Lampito, let us tie ourselves
To this high purpose as tightly as the hemp of words
Can knot together.

LAMPITO

Set out the terms in detail
And we'll a' swear to them.

LYSISTRATA

Of course.... Well then
Where is our Scythianess? Why are you staring?
First lay the shield, boss downward, on the floor
And bring the victim's inwards.

CAILONICE

But, Lysistrata,
What is this oath that we're to swear?

LYSISTRATA

What oath!
In Aeschylus they take a slaughtered sheep
And swear upon a buckler. Why not we?

CALONICE

O Lysistrata, Peace sworn on a buckler!

LYSISTRATA

What oath would suit us then?

CALONICE

Something burden bearing
Would be our best insignia.... A white horse!
Let's swear upon its entrails.

LYSISTRATA

A horse indeed!

CALONICE

Then what will symbolise us?

LYSISTRATA

This, as I tell you--
First set a great dark bowl upon the ground
And disembowel a skin of Thasian wine,
Then swear that we'll not add a drop of water.

LAMPITO
Ah, what aith could clink pleasanter than that!

LYSISTRATA
Bring me a bowl then and a skin of wine.

CALONICE
My dears, see what a splendid bowl it is;
I'd not say No if asked to sip it off.

LYSISTRATA
Put down the bowl. Lay hands, all, on the victim.
Skiey Queen who givest the last word in arguments,
And thee, O Bowl, dear comrade, we beseech:
Accept our oblation and be propitious to us.

CALONICE
What healthy blood, la, how it gushes out!

LAMPITO
An' what a leesome fragrance through the air.

LYSISTRATA
Now, dears, if you will let me, I'll speak first.

CALONICE
Only if you draw the lot, by Aphrodite!

LYSISTRATA
SO, grasp the brim, you, Lampito, and all.
You, Calonice, repeat for the rest
Each word I say. Then you must all take oath
And pledge your arms to the same stern conditions--

LYSISTRATA
To husband or lover I'll not open arms

CALONICE

To husband or lover I'll not open arms

LYSISTRATA

Though love and denial may enlarge his charms.

CALONICE

Though love and denial may enlarge his charms.
O, O, my knees are failing me, Lysistrata!

LYSISTRATA

But still at home, ignoring him, I'll stay,

CALONICE

But still at home, ignoring him, I'll stay,

LYSISTRATA

Beautiful, clad in saffron silks all day.

CALONICE

Beautiful, clad in saffron silks all day.

LYSISTRATA

If then he seizes me by dint of force,

CALONICE

If then he seizes me by dint of force,

LYSISTRATA

I'll give him reason for a long remorse.

CALONICE

I'll give him reason for a long remorse.

LYSISTRATA

I'll never lie and stare up at the ceiling,

CALONICE

I'll never lie and stare up at the ceiling,

LYSISTRATA

Nor like a lion on all fours go kneeling.

CALONICE

Nor like a lion on all fours go kneeling.

LYSISTRATA

If I keep faith, then bounteous cups be mine.

CALONICE

If I keep faith, then bounteous cups be mine.

LYSISTRATA

If not, to nauseous water change this wine.

CALONICE
If not, to nauseous water change this wine.

LYSISTRATA

Do you all swear to this?

MYRRHINE

We do, we do.

LYSISTRATA

Then I shall immolate the victim thus.
She drinks.

CALONICE

Here now, share fair, haven't we made a pact?
Let's all quaff down that friendship in our turn.

LAMPITO

Hark, what caterwauling hubbub's that?

LYSISTRATA

As I told you,
The women have appropriated the citadel.
So, Lampito, dash off to your own land
And raise the rebels there. These will serve as hostages,
While we ourselves take our places in the ranks
And drive the bolts right home.



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CALONICE

But won't the men
March straight against us?

LYSISTRATA

And what if they do?
No threat shall creak our hinges wide, no torch
Shall light a fear in us; we will come out
To Peace alone.

CALONICE

That's it, by Aphrodite!
As of old let us seem hard and obdurate.

LAMPITO and some go off; the others go up into the Acropolis.



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Chorus of OLD MEN enter to attack the captured Acropolis.

Make room, Draces, move ahead; why your shoulder's chafed, I see,
With lugging uphill these lopped branches of the olive-tree.
How upside-down and wrong-way-round a long life sees things grow.
Ah, Strymodorus, who'd have thought affairs could tangle so?

The women whom at home we fed,
Like witless fools, with fostering bread,
Have impiously come to this--
They've stolen the Acropolis,
With bolts and bars our orders flout
And shut us out.

Come, Philurgus, bustle thither; lay our faggots on the ground,
In neat stacks beleaguering the insurgents all around;
And the vile conspiratresses, plotters of such mischief dire,
Pile and burn them all together in one vast and righteous pyre:
Fling with our own hands Lycon's wife to fry in the thickest fire.
By Demeter, they'll get no brag while I've a vein to beat!
Cleomenes himself was hurtled out in sore defeat.
His stiff-backed Spartan pride was bent.
Out, stripped of all his arms, he went:
A pigmy cloak that would not stretch
To hide his rump (the draggled wretch),
Six sprouting years of beard, the spilth
Of six years' filth.

That was a siege! Our men were ranged in lines of seventeen deep
Before the gates, and never left their posts there, even to sleep.
Shall I not smite the rash presumption then of foes like these,
Detested both of all the gods and of Euripides--
Else, may the Marathon-plain not boast my trophied victories!

Ah, now, there's but a little space
To reach the place!
A deadly climb it is, a tricky road
With all this bumping load:
A pack-ass soon would tire....
How these logs bruise my shoulders! further still
Jog up the hill,
And puff the fire inside,
Or just as we reach the top we'll find it's died.
Ough, phew!
I choke with the smoke.

Lord Heracles, how acrid-hot
Out of the pot
This mad-dog smoke leaps, worrying me
And biting angrily....
'Tis Lemnian fire that smokes,
Or else it would not sting my eyelids thus....
Haste, all of us;
Athene invokes our aid.
Laches, now or never the assault must be made!
Ough, phew!
I choke with the smoke. ..

Thanked be the gods! The fire peeps up and crackles as it should.
Now why not first slide off our backs these weary loads of wood
And dip a vine-branch in the brazier till it glows, then straight
Hurl it at the battering-ram against the stubborn gate?
If they refuse to draw the bolts in immediate compliance,
We'll set fire to the wood, and smoke will strangle their defiance.

Phew, what a spluttering drench of smoke! Come, now from off my back....
Is there no Samos-general to help me to unpack?
Ah there, that's over! For the last time now it's galled my shoulder.
Flare up thine embers, brazier, and dutifully smoulder,
To kindle a brand, that I the first may strike the citadel.
Aid me, Lady Victory, that a triumph-trophy may tell
How we did anciently this insane audacity quell!

Chorus of WOMEN.

What's that rising yonder? That ruddy glare, that smoky skurry?
O is it something in a blaze? Quick, quick, my comrades, hurry!
Nicodice, helter-skelter!
Or poor Calyce's in flames
And Cratylla's stifled in the welter.
O these dreadful old men
And their dark laws of hate!
There, I'm all of a tremble lest I turn out to be too late.
I could scarcely get near to the spring though I rose before dawn,
What with tattling of tongues and rattling of pitchers in one jostling din
With slaves pushing in!....

Still here at last the water's drawn
And with it eagerly I run
To help those of my friends who stand
In danger of being burned alive.
For I am told a dribbling band
Of greybeards hobble to the field,
Great faggots in each palsied hand,
As if a hot bath to prepare,
And threatening that out they'll drive
These wicked women or soon leave them charring into ashes
there.
O Goddess, suffer not, I pray, this harsh deed to be done,
But show us Greece and Athens with their warlike acts repealed!
For this alone, in this thy hold,
Thou Goddess with the helm of gold,
We laid hands on thy sanctuary,
Athene.... Then our ally be
And where they cast their fires of slaughter
Direct our water!

STRATYLLIS (caught)

Let me go!

WOMEN

You villainous old men, what's this you do?
No honest man, no pious man, could do such things as you.

MEN

Ah ha, here's something most original, I have no doubt:
A swarm of women sentinels to man the walls without.

WOMEN

So then we scare you, do we? Do we seem a fearful host?
You only see the smallest fraction mustered at this post.

MEN

Ho, Phaedrias, shall we put a stop to all these chattering tricks?
Suppose that now upon their backs we splintered these our sticks?

WOMEN

Let us lay down the pitchers, so our bodies will be free,
In case these lumping fellows try to cause some injury.

MEN

O hit them hard and hit again and hit until they run away,
And perhaps they'll learn, like Bupalus, not to have too much to say.

WOMEN

Come on, then--do it! I won't budge, but like a dog I'll bite
At every little scrap of meat that dangles in my sight.

MEN

Be quiet, or I'll bash you out of any years to come.

WOMEN

Now you just touch Stratyllis with the top-joint of your thumb.

MEN

What vengeance can you take if with my fists your face I beat?

WOMEN

I'll rip you with my teeth and strew your entrails at your feet.

MEN

Now I appreciate Euripides' strange subtlety:
Woman is the most shameless beast of all the beasts that be.

WOMEN

Rhodippe, come, and let's pick up our water-jars once more.

MEN

Ah cursed drab, what have you brought this water for?

WOMEN

What is your fire for then, you smelly corpse? Yourself to burn?

MEN

To build a pyre and make your comrades ready for the urn.

WOMEN

And I've the water to put out your fire immediately.

MEN

What, you put out my fire?

WOMEN

Yes, sirrah, as you soon will see.

MEN

I don't know why I hesitate to roast you with this flame.

WOMEN

If you have any soap you'll go off cleaner than you came.

MEN

Cleaner, you dirty slut?

WOMEN

A nuptial-bath in which to lie!

MEN

Did you hear that insolence?

WOMEN

I'm a free woman, I.

MEN

I'll make you hold your tongue.

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WOMEN

Henceforth you'll serve in no more juries.

MEN

Burn off her hair for her.

WOMEN

Now forward, water, quench their furies!

MEN

O dear, O dear!

WOMEN

So ... was it hot?

MEN

Hot! ... Enough, O hold.

WOMEN

Watered, perhaps you'll bloom again--why not?

MEN

Brrr, I'm wrinkled up from shivering with cold.

WOMEN

Next time you've fire you'll warm yourself and leave us to our lot.

041.jpg (132K)

MAGISTRATE enters with attendant SCYTHIANS.

MAGISTRATE

Have the luxurious rites of the women glittered
Their libertine show, their drumming tapped out crowds,
The Sabazian Mysteries summoned their mob,
Adonis been wept to death on the terraces,
As I could hear the last day in the Assembly?
For Demostratus--let bad luck befoul him--
Was roaring, "We must sail for Sicily,"
While a woman, throwing herself about in a dance
Lopsided with drink, was shrilling out "Adonis,
Woe for Adonis." Then Demostratus shouted,
"We must levy hoplites at Zacynthus,"
And there the woman, up to the ears in wine,
Was screaming "Weep for Adonis" on the house-top,
The scoundrelly politician, that lunatic ox,
Bellowing bad advice through tipsy shrieks:
Such are the follies wantoning in them.

MEN

O if you knew their full effronery!
All of the insults they've done, besides sousing us
With water from their pots to our public disgrace
For we stand here wringing our clothes like grown-up infants.

MAGISTRATE

By Poseidon, justly done! For in part with us
The blame must lie for dissolute behaviour
And for the pampered appetites they learn.
Thus grows the seedling lust to blossoming:
We go into a shop and say, "Here, goldsmith,
You remember the necklace that you wrought my wife;
Well, the other night in fervour of a dance
Her clasp broke open. Now I'm off for Salamis;
If you've the leisure, would you go tonight
And stick a bolt-pin into her opened clasp."
Another goes to a cobbler; a soldierly fellow,
Always standing up erect, and says to him,
"Cobbler, a sandal-strap of my wife's pinches her,
Hurts her little toe in a place where she's sensitive.
Come at noon and see if you can stretch out wider
This thing that troubles her, loosen its tightness."
And so you view the result. Observe my case--
I, a magistrate, come here to draw
Money to buy oar-blades, and what happens?
The women slam the door full in my face.
But standing still's no use. Bring me a crowbar,
And I'll chastise this their impertinence.
What do you gape at, wretch, with dazzled eyes?
Peering for a tavern, I suppose.
Come, force the gates with crowbars, prise them apart!
I'll prise away myself too.... (LYSISTRATA appears.)

LYSISTRATA

Stop this banging.
I'm coming of my own accord.... Why bars?
It is not bars we need but common sense.

MAGISTRATE

Indeed, you slut! Where is the archer now?
Arrest this woman, tie her hands behind.

LYSISTRATA

If he brushes me with a finger, by Artemis,
The public menial, he'll be sorry for it.

MAGISTRATE

Are you afraid? Grab her about the middle.
Two of you then, lay hands on her and end it.

CALONICE

By Pandrosos I if your hand touches her
I'll spread you out and trample on your guts.

MAGISTRATE

My guts! Where is the other archer gone?
Bind that minx there who talks so prettily.

MYRRHINE

By Phosphor, if your hand moves out her way
You'd better have a surgeon somewhere handy.

MAGISTRATE

You too! Where is that archer? Take that woman.
I'll put a stop to these surprise-parties.

STRATYLLIS

By the Tauric Artemis, one inch nearer
My fingers, and it's a bald man that'll be yelling.

MAGISTRATE

Tut tut, what's here? Deserted by my archers....
But surely women never can defeat us;
Close up your ranks, my Scythians. Forward at them.



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LYSISTRATA

By the Goddesses, you'll find that here await you
Four companies of most pugnacious women
Armed cap-a-pie from the topmost louring curl
To the lowest angry dimple.

MAGISTRATE

On, Scythians, bind them.

LYSISTRATA

On, gallant allies of our high design,
Vendors of grain-eggs-pulse-and-vegetables,
Ye garlic-tavern-keepers of bakeries,
Strike, batter, knock, hit, slap, and scratch our foes,
Be finely imprudent, say what you think of them....
Enough! retire and do not rob the dead.

MAGISTRATE

How basely did my archer-force come off.

LYSISTRATA

Ah, ha, you thought it was a herd of slaves
You had to tackle, and you didn't guess
The thirst for glory ardent in our blood.

MAGISTRATE

By Apollo, I know well the thirst that heats you--
Especially when a wine-skin's close.

MEN

You waste your breath, dear magistrate, I fear, in answering back.
What's the good of argument with such a rampageous pack?
Remember how they washed us down (these very clothes I wore)
With water that looked nasty and that smelt so even more.

WOMEN

What else to do, since you advanced too dangerously nigh.
If you should do the same again, I'll punch you in the eye.
Though I'm a stay-at-home and most a quiet life enjoy,
Polite to all and every (for I'm naturally coy),
Still if you wake a wasps' nest then of wasps you must beware.

MEN

How may this ferocity be tamed? It grows too great to bear.
Let us question them and find if they'll perchance declare
The reason why they strangely dare
To seize on Cranaos' citadel,
This eyrie inaccessible,
This shrine above the precipice,
The Acropolis.
Probe them and find what they mean with this idle talk; listen,
but watch they don't try to deceive.
You'd be neglecting your duty most certainly if now this mystery
unplumbed you leave.

MAGISTRATE

Women there! Tell what I ask you, directly....
Come, without rambling, I wish you to state
What's your rebellious intention in barring up thus on our noses
our own temple-gate.

LYSISTRATA

To take first the treasury out of your management, and so stop the war
through the absence of gold.

MAGISTRATE

Is gold then the cause of the war?

LYSISTRATA

Yes, gold caused it and miseries more, too many to be told.
'Twas for money, and money alone, that Pisander with all of the army of
mob-agitators.
Raised up revolutions. But, as for the future, it won't be worth while
to set up to be traitors.
Not an obol they'll get as their loot, not an obol! while we have the
treasure-chest in our command.

MAGISTRATE

What then is that you propose?

LYSISTRATA

Just this--merely to take the exchequer henceforth in hand.

MAGISTRATE

The exchequer!

LYSISTRATA

Yes, why not? Of our capabilities you have had various clear evidences.
Firstly remember we have always administered soundly the budget of all
home-expenses.

MAGISTRATE

But this matter's different.

LYSISTRATA

How is it different?

MAGISTRATE

Why, it deals chiefly with war-time supplies.

LYSISTRATA

But we abolish war straight by our policy.

MAGISTRATE

What will you do if emergencies arise?

LYSISTRATA

Face them our own way.

MAGISTRATE

What you will?

LYSISTRATA

Yes we will!

MAGISTRATE

Then there's no help for it; we're all destoryed.

LYSISTRATA

No, willy-nilly you must be safeguarded.

MAGISTRATE

What madness is this?

LYSISTRATA

Why, it seems you're annoyed.
It must be done, that's all.

MAGISTRATE

Such awful oppression never,
O never in the past yet I bore.

LYSISTRATA

You must be saved, sirrah--that's all there is to it.

MAGISTRATE

If we don't want to be saved?

LYSISTRATA

All the more.

MAGISTRATE

Why do you women come prying and meddling in matters of state touching
war-time and peace?

LYSISTRATA

That I will tell you.

MAGISTRATE

O tell me or quickly I'll--

LYSIST

Monday, October 29, 2007

Just to let you know, Andrew and I wont be able to make it tomorrow night unfortunately! Hope everything goes ok! x

Tuesday, October 23, 2007

Stories, Status and Space

Ok. New People. Gina, Giedre, Andrew, Pierre, Gina, Kendra and Marlo.

Hopefully we have all the emails now.

We are looking at Stories again. Anna and Bryony re-tell their school-stories from last week. Again, we listen o them. We notice the way that they're told as well as what the stories are. About the physicality of the telling. The gestures of the tellers. The faces of the tellers.

In between times, we contact improvise and , later, non-contact improvise.

But today's stories are more centred on an elder us. In the realm of a first kiss. Or a first love. The older us. Everyone has something to tell. Marlo telling about a boy in American school called Randy. About how they hugged. But she's not sure whether they ever kissed... About Paul offering to give some gloves to one girl who always wore her sleeves over her hands... and how she then just disappeared from school one day. Kendra plucking up the courage to text a boy who wouldn't give her a straight answer....

We look at status. Everybody is given their own number from one to nine - each written on a scrap of paper. That is their status. One is lowest. Nine highest. The situation is a some kind of party. They have to mingle. And then, after, to guess the number each had on their scraps.

Next time round, I whisper a status in everybody's ear. Most are 1. Two are 9. Not much conversation. Then, we change the situation. The first day of school. Everybody is a one. Everybody WANTS to talk. But everybody is shy. Hesitant. Tongue-tied. We play with this for a while. We practice AWKWARD.

Finally we look at telling stories in space. By where we are in space. And how we are in space. The idea is simple. Two people. One on either side of the room. The only instruction: negotiate the space between yourselves. Andrew and I begin. Later pairings include Kendra and Bryony and Marlo and Pierre. And each time is unique.

It raises questions of: who is the most powerful one of the two at any point in the exercise. About what physicality tells which story. About whether this is a 'story' of people who know one another or not. Whether it is two stories rolled into one. About openness and closed-ness.
About what we 'feel' as the performer and what is seen.

And many others.

This post is meant to be a guide to remind me when I come to think before next week's session, so please feel free to write a posting of your own thoughts, however short or long.

Week Two

This week the group is bigger.

We look at Stories. Apart from Contact and non-contact improvisation, we begin to get to know more about one another.

We play World Map. We locate where we were:

1. This morning when we woke up
2. Where we were on the Millenium and
3. On our first day at school.

We play two true, one false, after we've spent time telling each other about our lives and, in particular, about school experiences.

From this, each of us takes it in turns to tell another story about ourselves at school. Tricks we played, trouble we got into with the teachers, accidents, embarrassments. Insects, horses, blood.

None of this is acted out. We just tell it sat in a chair.

Christian tells his in Italian. Anna in Ukrainian.

We note the energy involved. The delight of the storyteller. The delight in recalling. The delight of the telling.

(The image above is an illustration for 1001 Nights.)

Week One

Drew, Joseph and Me.

Contact Improvisation...

We work on the Dumb Show from Hamlet. We perform it with two performers, although there are at least three characters....

We try transforming from one character to another - from the queen to the poisoner, and then the dead king to the poisoner - THEATRICALLLY and with no exiting or time-gap or costume change.